"...Ben Thapa was a resolute figure of vocal authority..."
Lucio Silla (Aufidio), Buxton Festival
(Mark Ronan)
“Ben Thapa as Tamino showed promise of a tenor that will mature to fit him for heavier roles and he was
already colouring his singing expressively”
Magic Flute, Regents Opera
(Opera / Margaret Davies)
"...notable in the small role of Aufidio, Silla's confident, and he made Aufidio's recitative vivid..."
(Robert Hugill, Planet Hugill)
“Ben Thapa made a vivid Tito, anxious from the word go and really bringing out the character's dilemma. His big Act Two aria was finely done, and there was little sense of this being a last-minute stand in, the performance was confident and fully formed”
La Clemenza di Tito, Chelsea Opera Group
"A notable Melot"
Tristan und Isolde, Longborough
(The Stage)
Ben Thapa - Tenor
“...vivid performances from those above and from Paul Nilon (Scribbler), Stephanie Corley (Emma) and Ben
Thapa (Kuzka)”
Khovanschina, Birmingham Opera Company
(The Times / Anna Picard)
"Thapa as Kudryash was uniformly excellent. Delectably cheeky, with a bright and handsome tenor, you were
witnessing a man living in the moment. His singing of Janácek's synthetic "folk song" was one of the
highlights of the evening."
Katya Kabanova, Scottish Opera on Tour
(Opera Britannia / Antony Lias)
"Ben Thapa gave strong support as Arbace"
Idomeneo, Buxton Festival
(Planet Hugill)
“As Siegmund, Ben Thapa displayed a Kaufmann-like rounded beauty of tone with Sieglinde, magnificent power upon his releasing of the sword Nothung and transcendent humanity during his duet with Brünnhilde. Thapa’s voice is a strikingly versatile instrument. Effortlessly powerful when required, in ‘Winterstürme’ – one of the evening’s many highlights – it also startled with the kind of plangency ideal for a Die schöne Müllerin.”
(The Wagner Journal)